Showing posts with label portraits. Show all posts
Showing posts with label portraits. Show all posts

Sunday, May 20, 2018

Tulie Peak Portrait



"Tulie Peak Portrait" 14 x 18 oil on linen

This is a family portrait of myself and my three sisters.  This is a 'fantasy' painting as we were all present at this trail ride, but, never all together for one photo like this!  I re-created a scene from a memory of cherished family outing.  

Tuesday, December 20, 2011

Wednesday, October 12, 2011

WIP - Arabian Montage

Just started this one yesterday.  It is 9x12 and will be in color, but, I am sketching it in with black and white to start out.  When I do these kinds of montages, I work them out as I go, so, there can be a lot of changes and adjustments along the way.  I do not work with any reference materials at this point.  It is just 'made-up' images...whatever I think might work in the composition.  Later, when it gets down to the nitty-gritty, I'll pull out the anatomy books and ref. photos to improve the details and conformation of my horses.   New updates to this work in progress will be added to the end of this same entry.  You can click on these photos to see larger views. 


First session oct. 12...






2nd session....oct. 13




3rd Session oct 14


Oct 20

Oct 21 

 

Thursday, September 2, 2010

Pet Portrait Swap!

I joined in on the Wet Canvas Pet Portrait Swap for the practice in painting pet portraits, and, just because it sounded like fun! The swap is limited to 30 artists participants and each member sets up a gallery of thier own pet photographs for the other members to work from.  Each member commits to painting at least one portrait for each of the participants and sending it to them.  In return, each member should receive at least one painting from each member...paint 30/receive 30.   It is a lot, but so far has been well worth it in experience gained, comraderie, and good art, seen  and received!  I will list my contributions here as 'New Work' as they are received by their recipients...don't want to spoil thier surprise by listing them too soon, so, I must wait until I hear back that their art has arrived.  You can view the completed art here:

Final Artwork

This project will continue for several  months, so, check back often to see the new work that has been added! 

Friday, February 12, 2010

New work - Puppyface

This is a portrait of my sister's dog Howie as a pup.  Oil ACEO on multimedia artboard.

This is close to lifesize of 2.5x3.5 inches.  Here are two close-ups




Wednesday, September 23, 2009

Reworking - Dad & Cockleburr


There have been many paintings that have languished in my closet unfinished, because I just could not make them work. Some I just lost interest in, perhaps because some thing about them bothered me that I just could not see at that time. One such piece, a recent portrait of my dad, had an obnoxious background of cherry red to dark red in swirls and patches...what was I thinking! I was mostly pleased with how my dad and his horse Cockleburr turned out, but, just short of actually finishing this painting, I set it aside, unable to complete it.





This is after I had started changing the background. The actual color was much more red than this photo shows!

The background was actually the reason I did the painting. Yes, I wanted to do a portrait of my dad...I had been thinking of doing this one of him with his horse for a couple years, in fact, but, the main reason I finally started the painting was to explore a series of equine portraiture utilizing bright jewel-tone backgrounds. I thought this would be a good opportunity to do dad's painting and stay within the parameters of this series. I'd already done a few other horse paintings using bright blues, greens, and violets for the backgrounds that came out pretty nice...I just needed a good red next! So I did my dad in red. Hmmm. O.K. It took me a few months to just let it stew, still unfinished. I finally decided, that series parameters or not, that red background just had to go!

So, I decided it would have to be a full landscape background instead. I chose to use a scene from the area near to where we lived when we had our horses back in the early '70s; the Tularosa Basin between Holloman AFB, Alamogordo, and Tularosa, New Mexico. My dad was in the military then and we kept our horses at the base riding stable. We often rode out into the desert north of the base, and, later after dad retired, we lived in Tularosa to the northeast. This scene in the portrait places him in that general area north of Holloman AFB and shows Tularosa as a line of trees at the base of the mountain, Sierra Blanca on the far right side of the painting. Today, this same area is filled with pistacheo groves, so, this scene in my painting is actually a view into the past, circa 1972!




Creating is an ongoing process of learning to see so that we as artists can correct any errors and make our art perfect, or at least, as perfect as we can! Unfortunately, it takes time and practice to learn this and we don't always see those errors until the artwork has long been finished. I'm still not entirely happy with this painting of my Dad. It has come a long way from my first 'vision' of it, but, too much time has passed since beginning this portrait and all I see now are its faults. I feel the background is much better, but, now the overall painting is not quite there...again! There is much about this that I still like, enough not to trash it, or, attempt a major repainting. Therefore, as it sometime goes, this is one more painting that I may have to call done. Time to go on to the next project.


This is the final version.  Not a good photo as there is a lot of glare on the lower left.  I find it hard to get good images of larger paintings.  Here are some close-ups. 





Sunday, March 22, 2009

Dog Project - Corgi


This is a Pembroke Welsh Corgi in oils, 4x6 on Mulitmedia Art board


Hackney Horse

"Hackney Horse"
5x7 oil on handmade birch panel



The ultimate high-stepping, extreme-action equine machine, the Hackney Horse is one of the oldest breeds. Developed in England hundreds of years ago as a durable, versatile and elegant coach and riding horse, the Hackney has influenced many of the modern American breeds of horses such as the standardbreds, morgans, american saddle horses and many more. Once a very popular and widespread breed, today the Hackney Horse is quite rare and considered an endangered breed.



In these close-up images, the woodgrain (vertical lining) of the birch panel shows very clearly, however, it is not this apparent in the physical painting. I sand the panels very smooth before I gesso them, and, they are also sanded again before they are ready to paint on, so, in fact these panels have very smooth surfaces except for the texture of the applied oil paint. The woodgrain is still visible and adds a subtle quality to the finished artwork, however, for some reason, the scanner and the camara always seem to emphasis the woodgrain, so, I just want you to know it is much more subtle than these photos show.